By Peter Bergen
March/April 2008 Issue
For hours, the words come pouring out of Abu Omar as he describes his years of torture at the hands of Egypt’s security services. Spreading his arms in a crucifixion position, he demonstrates how he was tied to a metal door as shocks were administered to his nipples and genitals. His legs tremble as he describes how he was twice raped. He mentions, almost casually, the hearing loss in his left ear from the beatings, and how he still wakes up at night screaming, takes tranquilizers, finds it hard to concentrate, and has unspecified “problems with my wife at home.” He is, in short, a broken man.
There is nothing particularly unusual about Abu Omar’s story. Torture is a standard investigative technique of Egypt’s intelligence services and police, as the State Department and human rights organizations have documented myriad times over the years. What is somewhat unusual is that Abu Omar ended up inside Egypt’s torture chambers courtesy of the United States, via an “extraordinary rendition”—in this case, a spectacular daylight kidnapping by the Central Intelligence Agency on the streets of Milan, Italy.
The Torture Playlist
By Justine Sharrock
February 22, 2008
Music has been used in American military prisons and on bases to induce sleep deprivation, “prolong capture shock,” disorient detainees during interrogations—and also drown out screams. Based on a leaked interrogation log, news reports, and the accounts of soldiers and detainees, here are some of the songs that guards and interrogators chose.
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