Koyaanisqatsi (1982)

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Igor Kozorog on Dec 10, 2014

An art-house circuit sensation, this feature-length documentary is visually arresting and possesses a clear, pro-environmental stance. Koyaanisqatsi is composed of nature imagery, manipulated in slow motion, double exposure or time lapse, juxtaposed with footage of humans’ devastating environmental impact on the planet. The message of director Godfrey Reggio is clear: humans are destroying the planet, and all of human progress is pointlessly foolish.

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Koyaanisqatsi

The film consists primarily of slow motion and time-lapse footage of cities and many natural landscapes across the United States. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and music. Reggio explains the lack of dialogue by stating “it’s not for lack of love of the language that these films have no words. It’s because, from my point of view, our language is in a state of vast humiliation. It no longer describes the world in which we live.”[1] In the Hopi language, the word Koyaanisqatsi means “unbalanced life”.[2] The film is the first in the Qatsi trilogy of films: it is followed by Powaqqatsi (1988) and Naqoyqatsi (2002). The trilogy depicts different aspects of the relationship between humans, nature, and technology. Koyaanisqatsi is the best known of the trilogy and is considered a cult film. However, because of copyright issues, the film was out of print for most of the 1990s.[3]

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via http://en.wikipedia.org/wiki/Koyaanisqatsi

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  1. Pingback: Ecology and the Pathology of Capitalism by Charles Sullivan « Dandelion Salad

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