Salt of the Earth (1954)

Salt of the Earth

screenshot by Dandelion Salad via Flickr

Dandelion Salad

ampopfilms on Jul 16, 2014

Salt of the Earth (1954) is an American drama film written by Michael Wilson, directed by Herbert J. Biberman, and produced by Paul Jarrico. All had been blacklisted by the Hollywood establishment due to their alleged involvement in communist politics.

The film is one of the first pictures to advance the feminist social and political point of view. Its plot centers on a long and difficult strike, based on the 1951 strike against the Empire Zinc Company in Grant County, New Mexico. In the film, the company is identified as “Delaware Zinc,” and the setting is “Zinctown, New Mexico.” The film shows how the miners, the company, and the police react during the strike. In neorealist style, the producers and director used actual miners and their families as actors in the film.

The film was called subversive and blacklisted because the International Union of Mine, Mill and Smelter Workers sponsored it and many blacklisted Hollywood professionals helped produce it. The union had been expelled from the CIO in 1950 for its alleged communist-dominated leadership. Director Herbert Biberman was one of the Hollywood screenwriters and directors who refused to answer the House Committee on Un American Activities on questions of CPUSA affiliation in 1947. The Hollywood Ten were cited and convicted for contempt of Congress and jailed. Biberman was imprisoned in the Federal Correctional Institution at Texarkana for six months. After his release he directed this film.[3] Other participants who made the film and were blacklisted by the Hollywood studios include: Paul Jarrico, Will Geer, Rosaura Revueltas, and Michael Wilson.

The producers cast only five professional actors. The rest were locals from Grant County, New Mexico, or members of the International Union of Mine, Mill and Smelter Workers, Local 890, many of whom were part of the strike that inspired the plot. Juan Chacón, for example, was a real-life Union Local president. In the film he plays the protagonist, who has trouble dealing with women as equals. The director was reluctant to cast him at first, thinking he was too “gentle,” but both Revueltas and his sister-in-law, Sonja Dahl Biberman, wife of Biberman’s brother Edward, urged him to cast Chacón as Ramon.

The film was denounced by the United States House of Representatives for its communist sympathies, and the FBI investigated the film’s financing. The American Legion called for a nation-wide boycott of the film. Film-processing labs were told not to work on Salt of the Earth and unionized projectionists were instructed not to show it. After its opening night in New York City, the film languished for 10 years because all but 12 theaters in the country refused to screen it. By one journalist’s account: “During the course of production in New Mexico in 1953, the trade press denounced it as a subversive plot, anti-Communist vigilantes fired rifle shots at the set, the film’s leading lady Rosaura Revueltas was deported to Mexico, and from time to time a small airplane buzzed noisily overhead….The film, edited in secret, was stored for safekeeping in an anonymous wooden shack in Los Angeles. (Text from Wikipedia)

from the archives:

Michael Hudson: The Capitalist Way: Cheat, Lie and Steal

Lessons of the Harvard Dining Hall Strike Victory by Ed Childs

Plutocracy I: Political Repression in the U.S.A. + Plutocracy II: Solidarity Forever (must-see)

The Wobblies (1979)

Marxism in Noir By Alan Wald

11 thoughts on “Salt of the Earth (1954)

  1. Pingback: Labor History: The Pullman Strike of 1894 – Dandelion Salad

  2. Pingback: Definitions: The Proletariat by Gaither Stewart – Dandelion Salad

  3. Pingback: Plutocracy I: Political Repression in the U.S.A. + Plutocracy II: Solidarity Forever + Plutocracy III: Class War (must-see) – Dandelion Salad

  4. Pingback: Plutocracy III: Class War (must-see) – Dandelion Salad

  5. Pingback: When The Revolution Comes – Dandelion Salad

  6. All you got to do is know about the Wobbles and listen to the music of Utah Phillips and it says it all .

  7. I have enjoyed this film many times and highly recommend it. Each viewing I am reminded by how much we lose to censorship and control of the media by the rich.

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