Over this past weekend I went to see the new Avatar movie. I had seen the first one and, although it had flaws, I saw the overall message as compelling. Fair warning, here is a small spoiler: Simply put, the plot is one where humans in the future, with the help of gargantuan and lethal military might, attempt to colonize a planet called Pandora. It is another solar system many light years from earth, and it possesses many extraordinary and rare minerals and resources, as well as incredible biodiversity and Indigenous societies. In the sequel, the humans of earth have returned, and their goal is nothing less than total colonization of the planet for the purpose of resettlement. Earth, as one cold hearted military general says, is dying.
Hollywood produces a lot of rubbish. I mean, a LOT of it. And we are living in an age where fast paced computer-generated graphics and imagery have taken the place of meaningful dialogue, acting and plot development. Much of this is nothing new, the film industry has long collaborated with the Department of Defense, the Pentagon and the CIA in its productions. How else could a blockbuster movie have access to so much military hardware? Major box office money makers, like the braindead “Top Gun” series, rely enormously on the US military industrial sector.
Thus, much of the messaging in today’s blockbuster movies is lockstep with that of modern American imperialism. The military is almost always portrayed as a flawed, yet thoroughly heroic force for good in the world. Foreigners, especially if they are in the Global South or from Arab or Muslim countries, are othered. They are often depicted in racist stereotypes, stripped of their humanity, and given the role of a sinister or backward troll bent on the destruction of all that is good in the world.
So, watching the new Avatar film provided a refreshing break from such racist and ludicrous plotlines. Here, imperialistic military forces are portrayed in the more accurate light of world destroyer. One scene, in particular, is reminiscent of the American military’s murderous assault on Southeast Asia in the 1960s and 70s. Giant starships make landfall on parts of Pandora’s pristine rainforests, setting everything and every living being ablaze. It is scorched earth policy seen for what it actually is, ecocide.
Without a doubt, Avatar has many flaws. It is still very American-centric. And there is still the stench of “white savior” mythos haunting many of the scenes. But it is visually stunning. And it is a departure from most of the films generated by the film industry these days. I cannot imagine most people coming away from the movie with anything other than disdain for militarism and all of its nauseating jingoistic platitudes. What struck me the most is that while I was watching this movie about an assault on the ecosystem of a fictional planet and its Indigenous peoples, another was unfolding on a real forest and on the people attempting to protect it from destruction. That forest is in the city of Atlanta, Georgia.
On January 18th, the Atlanta police assassinated one of those defenders. Manuel Esteban Paez Terán, affectionately known as “Tortuguita,” or “Little Turtle” was gunned down in cold blood by a stormtrooper raiding a peaceful encampment. The defenders have been in the Weelaunee Forest (also known as the South River Forest), south-east of Atlanta, for nearly two years protesting the construction of a massive $90 million dollar, 85-acre, police training facility. According to Truthout, the project has the backing of major corporations like Coca-Cola, Home Depot, Delta Airlines, UPS and Cox Enterprises. The latter owns the Atlanta Constitution-Journal which has published endless articles in praise of the Cop City project and demonizing anyone who dissents or protests it. The citizens of Atlanta, where a majority has opposed the facility, will nonetheless be paying for a third of its cost.
The Weelaunee Forest was land stolen from the Muscogee people who were marched westward, many to their deaths, in the infamous Trail of Tears. It is also located in a predominantly working-class Black neighbourhood. And it had been slated as a much-needed greenbelt for the city and to mitigate the damage from climate change. It has been aptly named “Cop City” by many protestors and critics alike.
With all these characteristics, the assault on this forest and its defenders is one of the best analogies for our current predicament. It also parallels the ongoing war against Indigenous peoples in the Amazon or in Central America, where scores have been murdered by armed militias and illegal loggers and ranchers who have been decimating the rainforests for decades. But it also signifies something even more chilling.
The authoritarian state, now in the most dangerous and destructive phase of late capitalism, is ramping up its efforts to suppress any meaningful dissent. With each passing year it becomes more brazen. So sadly, in all likelihood, the Weelaunee Forest will be razed, and Cop City will be built. The state is already unleashing its arsenal and declaring protestors “domestic terrorists,” a term which has been made meaningless with each passing year as it is applied to virtually anyone who exposes or opposes state violence, mindless militarism, rapacious consumption and corporate ecocide.
Police forces are now being trained, not to protect people from harm, but to protect state and corporate power. And this marriage is classic fascism. They will be trained in urban warfare against civilians, primarily the poor, working class and people of colour, and all under the guise of “fighting crime and keeping people safe.” The real purpose is far more ominous.
As our climate becomes more precarious and erratic, social and economic tensions will continue to be exacerbated. Instead of dismantling the planet-killing arrangement of power currently in place, those on the top are seeking to bolster its defenses. And they will defend this racist, ecocidal and untenable fortress at all costs. But does it need to be this way? And how complicit are we in this scheme?
As I watched Avatar, I found myself thinking of this unfolding drama in the Weeluanee Forest. I thought of the two Indigenous Pataxó land defenders who were just murdered in Brazil. I thought about the protests happening in west Germany to oppose a mine, where Greta Thunberg and others were just arrested. And I felt myself grieving that many of us seem a bit too comfortable with the theme of abandoning our precious home world within the realms of science fiction movies. I understand that the broader message of films like this may be to defend what we have left here, but how often is this understood by the larger audience? How often do they recognize that they represent the fictional “Sky People” or at least tacitly support their destructive policies and projects by their silence?
The species on fictional Pandora aren’t more wondrous than the real ones who inhabit our fragile and beleaguered biosphere. Not by a longshot. I’ve been fortunate to witness so many of them when visiting various places around the world. From bioluminescent algae in the sea in Panama, to marsupials in Australia, to howler monkeys in Argentina, to sequoias in California, to glow worms in New Zealand, to sea turtles in the Caribbean Sea, to lynxes here in my native Nova Scotia. And the Indigenous peoples and cultures of that fictional world are no match for the real ones who still live among us, in our times, and who are at the forefront of this ongoing war being waged for profit, against the biosphere on which we all depend.
Resistance to colonialism, militaristic, state violence and ecocide isn’t fictional. Cop City is the future they want, but there are courageous people pushing back against that nihilistic narrative everywhere. It is a resistance that is happening now, in big ways and small, on this world, and in places not far from where you live. But it needs all of us, or it will fail. And this wondrous, real world, and all that rely on it, will be lost forever.
Kenn Orphan is a writer, artist, antiwar and anti-capitalist activist, hospice social worker and radical nature lover living in Halifax, Nova Scotia. As an independent writer and artist Kenn Orphan depends on donations and commissions. If you would like to support his work and his blog you can do so via PayPal. He may be contacted at KennOrphan.com.
Previously published on Kenn Orphan, Jan. 24, 2023
[DS added the trailer.]
Avatar: The Way of Water | Official Trailer
Avatar on Nov 2, 2022
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