Bernard Fall, the great French-American writer on the wars in Vietnam, wrote a piece in his Street Without Joy about his early days in Vietnam, during the French war there. One day Fall was in Cambodia doing interviews and research, and afterwards went with a pair of French officers that he’d interviewed to the local club tennis courts, and watched them, in their spotless tennis whites, play a full match of tennis. Early on in their game, a Cambodian NCO came up to the court and attempted to get one of the officers to sign some papers he had. The NCO got a brushoff—the French officers were busy with their game—and so the Cambodian NCO just went off to the sidelines, squatted on his haunches the way Cambodians do, full out in the tropical sun , and waited while the two French officers in their tennis whites batted the ball back and forth. Fall watched, with a feeling of dread coming over him, as the post bugler sounded Last Post, the colors were lowered, the Cambodian standing to attention while the French officers continued playing tennis. Fall wrote: Continue reading →
Censorship is the foe of freedom. It comes in many forms. The choking grip of control silences dissent. The bullhorns of propaganda blare out lies and fictions of consent. The maddened clench of greed stifles outlets for a diversity of expression, creativity, opportunity, and invention. The lurking spies of mass surveillance send chills down once-fearless spines. The data collectors of corporations mine our lives for ways to shrink-wrap our worldviews into commoditized sales pitches.
The Department of Justice has required RT America to register under the Foreign Agent Registration Act (FARA), an anti-propaganda law from the 1930s. “On Contact” host Chris Hedges discusses whether such a requirement will have a chilling effect on the First Amendment’s freedom of the press with RT America’s Ashlee Banks.
One of the most hyped “events” of American television, The Vietnam War, has started on the PBS network. The directors are Ken Burns and Lynn Novick. Acclaimed for his documentaries on the Civil War, the Great Depression and the history of jazz, Burns says of his Vietnam films, “They will inspire our country to begin to talk and think about the Vietnam war in an entirely new way”.
With all eyes on the nuclear standoff with North Korea, what is the over-arching agenda in play behind the politics of crisis? Tyrel Ventura sits down with documentary filmmaker and journalist John Pilger to learn more about the unfolding behind-the-scenes power play, and to discuss his latest documentary, “The Coming War on China.”
“We’ve all got to die one day, some sooner and some later. The trouble always has been that you’re never ready, because you don’t know when it’s coming. Well, now we do know and there’s nothing to be done about it.”
Mohsen Abdelmoumen: Your book Conjuring Hitler received a laudatory criticism of our friend Peter Dale Scott. Moreover, I share the view of this great intellectual on the fact that this book is essential in the work of historical research. How did you arrive at conclusions against the flow of the historians of the establishment, namely that Hitler was made by the United States and Great Britain and that World War II was inevitable?
When I first went to Palestine as a young reporter in the 1960s, I stayed on a kibbutz. The people I met were hard-working, spirited and called themselves socialists. I liked them. One evening at dinner, I asked about the silhouettes of people in the far distance, beyond our perimeter.