A talented artist in Melbourne, Australia, has been in the news for painting a mural of Ukrainian and Russian soldiers hugging — and then for taking it down because people were offended. The artist, Peter ‘CTO’ Seaton, has been quoted as saying he was raising funds for our organization, World BEYOND War. We want to not only thank him for that but offer to put the mural up elsewhere.
William James’ idea of the need to create a moral equivalent of war first struck me, decades ago, when I read about it, as about as sensible an idea as inventing a new way to punch yourself in the face. This was not purely because times have changed, because weapons have become more powerful, because the earth’s climate is collapsing, or because nonviolent activism has become widely understood as requiring courage, sacrifice, camarderie, dedication, discipline, and strength, without any of the counterproductive murder, maiming, destroying, occupying, hating, looting, pillaging, or stupidity.
In this 100th episode of “On Contact”, director Jerrell Henderson and playwright-actor Boris Franklin discuss their upcoming play “Caged,” which takes a look at life from inside and outside the US prison system.
Editors Frances Goldin, Debby Smith, and Michael Steven Smith, join with 2 of the many contributing authors, Clifford D. Conner and Mat Callahan to discuss their book, Imagine Living In A Socialist USA, how it got published, how it has been received, and wondering how socialism might happen in the USA and what it would look like, for example how it would impact the arts and sciences. May 29, 2014 at Alwan For The Arts. video: Joe Friendly.
On this week’s episode of On Contact, Chris Hedges discusses the role of the artist with Enrique Martinez Celaya. The sculptor, painter, physicist and philosopher’s work focuses on the struggle of individuals to navigate the inner and outer realms of darkness that negate our individuality. RT correspondent Anya Parampil looks at Pablo Picasso’s Guernica, one of the most controversial paintings of the 20th century.
It was the school holidays and there were lots of teenagers in my local park. I sometimes spot them meandering home, but I rarely see them en masse as it were. Blind to the bluebells, peacocks and glories of nature all around us, they were glued to their palm-sized screens. What were they so engrossed in – some kind of game or trivial video, a map of the park perhaps, unnecessary given the proliferation of signs? Are they texting, e-mailing, or trawling through the Internet, or all of the above? If one did not know what these shiny seductive objects were, one might think that they controlled the person, rather than the other way round. And to a large degree they do.
On this week’s episode of On Contact, Chris Hedges discusses playwright Eugene O’Neill’s shattering of the American myth in the play “Mourning Becomes Electra”. Hedges is joined by his wife Eunice Wong who is playing Lavinia Mannon in Target Margin Theater’s production of the play and director David Herskovits.
On this week’s episode of On Contact, Chris Hedges discusses how to salvage the American education system with Nikhil Goyal, author of “Schools on Trial: How Freedom and Creativity Can Fix Our Educational Malpractice”. RT Correspondent Anya Parampil explores the regimentation of education spurred by the No Child Left Behind Act.
On this week’s episode of On Contact, Chris Hedges discusses the corporate state’s assault on the arts with theater director and writer JoAnne Akalaitis. RT Correspondent Anya Parampil examines calls to defund the National Endowment of the Arts.
On this week’s episode of On Contact, Chris Hedges discusses the influence of editorial cartoons and the plight of the artists who make them with political cartoonist Dwayne Booth, also known as Mr. Fish. RT Correspondent Anya Parampil explores what we have done to dissident artists throughout American history.
In this episode of Days of Revolt, Chris Hedges sits down with political cartoonist Dwayne “Mr. Fish” Booth to discuss the use of art as a language to tell truth in an age of corporate domination of information. With his cartoons, Mr. Fish confronts systems of power, exposing their brutality and folly in a way that words cannot.