By Robert S. Becker
Featured Writer
Dandelion Salad
rbecker@cal.net
March 12, 2010
Too bad neither art, nor life answers to misdirected pigeonholing from admirable leftwing voices like Robert Scheer. Must outstanding movies to be reduced to partisan “messages” or platforms that reinforce our prejudices, whether about politics or art? “Disappointed” with “Hurt Locker’s” seeming apolitical stance, the ideological Scheer balks because a less than overtly anti-Iraq war film won Best Picture.
If “Hurt Locker” so clearly promotes this war or the hubris of imperial occupation, then why isn’t there one scene or one main character that establishes this theme, let alone defends this position? In fact, the movie experience itself, not Scheer’s distortion, suggests otherwise. Director Bigelow fashions a story, not a sermon, knowing full well how fixed positions, either way, impede her mission: to bypass defenses and create significant emotional experiences.
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